Artist statement

The onslaught, pace and ubiquity of change in modern life has said to have altered the way our brains are being wired. Our ability and need to adapt to this continuous flux leaves us reaching out for something concrete, something familiar, something certain. My art practice is an attempt to reestablish a connection with nature and offer pause and reflection in an intimate space as an antidote to the barrage of stimulation which has taken host in our ever-evolving technological world.

James Blackwell

about the artist

“Working at the intersection of paper sculpture and natural materials, James Blackwell’s practice explores the expressive potential of paper as both a two-dimensional surface and a sculptural medium. Through methodical grid structures, he has created intricate patterns and lines that evoke a quiet repetition suggesting ritual and religiosity. These meditative processes are deeply rooted in the rhythms of the natural world.
Incorporating Australian native botanical seeds, his work speaks to cycles of growth, memory, and regeneration. The botanical elements are not simply materials, but are embedded with cultural and ecological narratives, grounding the work in place and seasonality. Arranged within geometric frameworks, the seeds become both motif and matter-conveying a tactile dialogue between the natural and the constructed, the sacred and the everyday. James’s work invites a contemplative viewing experience, offering a space where structure meets spirit, and the material world is quietly transformed through devotion to process.”
– Dr Clare Nicholson 2025

Blackwell graduated from the National Art School with a Bachelor of Fine Art in Photography and continued with an Honours degree in drawing in 2002. Since then, he has continued to exhibit in commercial galleries in Sydney and the Blue Mountains. In 2010, Blackwell had a solo show at Bathurst Regional Gallery titled ‘Second Nature’. Another major solo exhibition followed in 2015 at the Blue Mountains Cultural Centre. He was awarded the Windmill Trust Scholarship (NAVA). Blackwell has also participated in the coveted Hill End Residency and in 2013 was involved in the Bundanon Trust Residency and more recently, a finalist in the 2025 MAC Yapang Art Prize and is the 2025 winner of the St Columba’s Art Prize.

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