# Warwick Fuller – A Liminal Space

artworks
# Storm Brewing over Glittering Wetlands, Bedourie
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# Ode to the Valley, Kanimbla
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# Glorious Afternoon, Tidbinbilla Range, Tharwa
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# Mount Sandy Adrift, Kanimbla
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# Lightshow, Kanimbla
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# Breaking the Morning Silence, Mount Victoria
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# Ode to the Valley, Kanimbla (study for)
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# Stately Eucalypts, Pleasure Point (study for)
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# Morning Mantle, Kanimbla
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# A Burst of Light, Kanimbla
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# Dairy Country, Mindarriba (sketch for)
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# Sun After Frost, Kanimbla
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# A River of Mist at Sunrise, Kanimbla
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# Morning Colour, Tharwa
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# Burning the Stumps, Mindaribba
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# Moonset on a Blue Morning, Kanimbla
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# A Gentle Blush of Colour, Georges River
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# Dappled Light over Narran River near Dirranbandi
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# Glowing Embers of Day, St. George
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# Retreating Mists, Kanimbla (sketch for)
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# Low Clouds in Morning Retreat, Kanimbla
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# Fingers of Afternoon Shade, Tharwa
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# A Fickle Morning, Mumbil
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# Morning Amble, Mumbil
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# Golden Afternoon, Georges River
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# Light on the Lignum, Diamantina River, Birdsville
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# Glorious Afternoon, Tidbinbilla Range, Tharwa (sketch for)
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# Serene Autumn Morning, Weston Park, ACT
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# Low Tide, Georges River
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# Sylvan Charm near Lennox Head
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# Summer’s Almost Gone, Bundeena (sketch for)
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# Warm Glow in the Kanimbla Valley
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# Ode to the Valley, Kanimbla (sketch for)
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# Blazing Afternoon Light, Pleasure Point
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# Filtered Midday Light, Pleasure Point
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# Murrumbidgee River Morning, Tharwa
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# Fiery Sunrise, Kanimbla
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# Gentle Morning Light, Kanimbla
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# Sun through the Poplars, Tharwa
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# Over the Rose Garden, Little Hartley
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# Autumn Repose, Kanimbla
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# Lighthouse Ruins, Cape St George
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# Still Winter Morning, Taree
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# Out of the Shade, Tidbinbilla
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# Track around Tinkers Hill
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# Coral Tree near Milton
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# Retreating Mists, Kanimbla
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# Summer’s Almost Gone, Bundeena
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# Winter Colour in the Kanimbla Hills
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# Angophoras on Oatley Bay
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# The Barrier Breached, Mount Victoria
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# Cosgrove’s Creek, Luddenham
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# Hills of Tharwa
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# Morning Mantle, Kanimbla (sketch for)
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# Through the Tharwa Hills
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# From the Victoria & Albert, Mount Victoria
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# Calm Morning, Lemon Tree Passage
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# Garden by Georges River, Pleasure Point
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# Blustery Day, Tabourie Beach
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# Breaking the Morning Silence, Mount Victoria (sketch for)
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# Water Lilies at Wattle Grove
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# Afternoon on Cooper Creek, Windorah
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# Ochre Harmony, Paroo River, Eulo
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# Furrowed Track, Big Red, Birdsville
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# Flooded Plains from Big Red, Birdsville
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# Stately Eucalypts, Pleasure Point
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# Grazing in the Kanimbla Valley
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# Mount Sandy in a Light Winter Veil
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# Morning Light on a Lush Landscape, Mumbil
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# Billowing Castles in the Sky, Kanimbla
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# Mount Sandy Adrift, Kanimbla (sketch for)
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# Breaking Through, Kanimbla
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# Flight of Morning Cloud, Mumbil
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# Low Hanging Branch, Pleasure Point
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# Lake Burley Griffin Gold
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# Sun through Cloud, Tharwa
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# Bridge over the Paroo at Sunrise, Eulo
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# A Telegraphic Change, Mount Victoria
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# Billowing Castles in the Sky, Kanimbla (sketch for)
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# Stately Eucalypts, Pleasure Point (sketch for)
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# Sweep of the Hill, Kanimbla
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# Gentle Morning Light, Kanimbla (sketch for)
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artist statement

A liminal space: A metaphorical, physical, emotional, or virtual threshold.

My liminal space is a veranda on the western side of my house deep in the Kanimbla Valley.

For all my travels, near and far, there is a large body of paintings within this collection that have been painted from my veranda. Ever since I built it over twenty years ago, I have been creating pictures on this wonderful vantage point, perched high above the Cox’s River.

During the last year, I was unable to paint for three full months. This period of confinement has been my longest break away from the easel in over fifty years. In my restricting convalescence, I turned to my liminal space. Not for its convenience, nor its comfort and not for its elemental protection; though it was all those things.

My veranda is where I can stand right at the threshold of limitless subject material, with my finger on nature’s pulse. I can feel and explore nuances and subtle changes in its moods, and mine. I can be at the ready when sudden weather changes strike up, in all seasons and at all times of day and in all its varying light. From this 180-degree vantage point, I continually find new subjects that engage and inspire me.

Ode to the Valley is the title of one key painting in this exhibition, but it could equally apply to most of the 23 pictures painted when I stepped over the threshold of this open outdoor studio, this veranda, this liminal space.

Cooper Creek, Windorah, August 2026,  photograph by Neil Stevenson.

exhibition catalogue
LOST BEAR GALLERY

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